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Home > Traveling Music: Playing Back the Soundtrack to My Life and Times
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Traveling Music: Playing Back the Soundtrack to My Life and Times
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By Neil Peart
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 (57 Reviews)
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Publisher:
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ECW Press
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Published:
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December 31, 1969 |
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Paperback
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Pages:
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440
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The music of Frank Sinatra, Limp Bizkit, Linkin Park, and many other artists provides the score to the reflections of a musician on the road in this memoir of Neil Peart's travels from Los Angeles to Big Bend National Park. The emotional associations and stories behind each album Peart plays guide his recollections of his childhood on Lake Ontario, the first bands that he performed with, and his travels with the band Rush. The evocative and resonant writing vividly captures the meanderings of a musical mind, leading rock enthusiasts to discover inside information about Rush and the musical inspirations of a rock legend.
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Customer Reviews:
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 Enjoyable, but not polished, November 7, 2004
By Hailing from the mountaintop! (Idyllwild, CA USA)
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I certainly am not regretting the 20 bucks I spent on this book, but I think it could have been, well, tighter. Perhaps one would expect that an artist known for such machine-precision drumming would write prose the same way, but this book is neither tight and precise like Mr. Peart's drumming or cerebral and evocative like much of his lyricism with Rush.
After reading the book, I read the reviews here on Amazon. I suppose the theme that keeps coming up in reviews for this book as well as "Ghost Rider" is an assumption that the voice in his writing is arrogant, snobby and/or elitist. Speaking strictly of "Traveling Music", I do not hear that voice in the writing. Riding solo on his motorcycle while the "rest of the band" is on the bus is basic to the personality Peart reveals in this book, and to me did not come across as elitist. Who knows... I'd rather be flying down the highway on a bike than in a bus any day. Ordering him to join the band every day on the bus might well tinker with the magic that is Peart's creative, driving force behind Rush, and besides, he'd just do his own thing anyhow. That is one of the points of this book: living individually while participating in community. Therein are lessons. Today's publicly visible artists, as Peart writes, are unfortunately not always treated well by those that claim to appreciate them (he mentions John Lennon... point made). If the man wishes to lead a life of seclusion and peace, who is to begrudge him? Like most people, he writes of wanting to go to work, give it his all, and then, well... go home or go private. Peart apparently is quite cognizant that there are those who feel he shuns them, and at least makes an attempt to address it. Peart writes of his frustration with people who invade his privacy. As for the "I love your work" quote - well, Peart seems to have appreciated it and, more to the point, appreciated the unobtrusive nature of the comment. Fans who feel short-shrifted by such behavior should remember that a person like Peart is essentially a captive audience... a target for far more people's attention than can be realistically accepted on an individual level. He gives us what the normal unspoken contract between star and fan agrees to give us... his professional hours on stage and wonderful art otherwise. Autographs are nice, and public appearances are good, but no wonder there is a tendency to carve out ones' own private space. I certainly am not defending the man, but I relate to the writing in this book about needing sanctuary. Anyone who works in a profession that deals with a crush of people (musicians, athletes, actors, politicians - OK, SOME politicians...) can understand Peart's desire for "down time". Basically, the desire to live a private life is not snubbing his fans... get over it, people...
Back to the writing... as a road-trip junkie myself (and who has taken many of the roads Peart describes in my rather less inspired vehicle), I easily was transported along. Yes, the constant reference to The Macallan gets a bit impish, but, hey, the man's just that way. (Personally, I prefer The Balvenie, but who really cares, right...). The loose narrative style fits the subject matter well, and alternating the chapters between the current journey and the lifelong journey is effective. I enjoyed his presentation of his musical influences and CD collection immensely, and now have some new stuff to listen to. Those reviewers who complained about his focus on these musicians apparently forgot to read this book's title...
Students of literature may well find Peart's writing a bit simple, but therein lies the beauty of this book... it is a road-trip... not a medical science journal. Peart may, or may not, be a self-centered, arrogant, unapproachable star. It really doesn't matter. The fact that he chose to share his basic life story, whether altruistically or with a profit motive (perhaps both) is unusual enough in a person of his professional standing. Rush fans... it is more information than we ever thought we'd see. Everyone else... at the least you may find Peart an interesting study.
78 of 89 people found the above review helpful.
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 Intricately Woven, October 19, 2004
By efusco (Nixa, MO USA)
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I'd consider this the most well written published work of Neil Peart to date.
He uses the songs of a solo drive over an extended weekend as the springboard for reflections on his past and his evolution to what he has become. The music and his life have many parallels.
I found the diversity of music he likes fascinating and certainly got turned onto some music I never would have considered seriously before reading this (Frank Sinatra, Linkin Park) while others were fairly obvious influences that I directly related to.
It was interesting how open Neil was about his past, esp. his Teen years and how the behavior of others so permanantly and dramatically impacted who he became as an adult. I think we can all relate to that.
This book could easily have become confusing and bogged down in the changes from distant past stories to recent past to present time. But it doesn't. It easily kept my interest, had me nodding in agreement, and search in the music store and bookstore shelves for referenced books and albums.
My one complaint, and it was a complaint with Ghost Rider as well, is that he doesn't include a biography of the books and albums he mentioned. I kept a bookmark and pen handy and wrote down most of the albums I want to check out and books I want to read, but it would be nice if they'd have been included with full information and potentially even comments in an appendix.
If you're a fan of Neil or just a fan of well written biographies of interesting people I think you'll enjoy this book.
43 of 47 people found the above review helpful.
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A kinder, gentler Neil, August 31, 2004
By C. Davis (Shreveport, Louisiana United States)
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Having read the poignant "Ghost Rider" three times, I awaited a follow-up with high expectation. What resonated with me the most about "Ghost Rider" was the concept of travel as catharsis - an idea with which I share profound belief. So my mind reeled with questions of how Peart would follow up such a personal account so masterfully interwoven with appreciations on the road.
"Traveling Music" is different. Here, we find the Canadian establishing roots in (Oh, God - not really) America of all places. Peart's observations on the United States - especially those in "Ghost Rider" - are almost shamelessly typical of non-U.S. citizens, often boiling down to how crass and arrogant Americans are, but with an obvious appreciation for all the richness of the land and, yes, even the culture. While many of his critical views in "Ghost Rider" felt particularly (I hate this term) unfair, he paints with broader strokes in "Traveling Music" and reveals himself to be a man far more at peace.
The book details a drive through parts of the U.S. while listening to the music that has carried the most profound impact throughout his life. In the process, we get glimpses of the history ad progression of rock and roll from someone who has made it his life's work. But these opinions are also peppered with observations of other types of music and cultural developments that have helped shape his own distinction as well. While the reader may not agree with all his opinions regarding musical taste, his awareness of the cultural sway and the business we call "show" is keen and acute. Peart jumps back and forth between growing up in Canada, living in England, the "history" of rock as seen through his eyes and opinions about musicians as diverse as Isaac Hayes, Willie Nelson, Frank Sinatra and Linkin Park. He does manage to skillfully pull all the ends together in a tidy knot as he details the events of the SARS concert wherein he meets Charlie Watts of the Rolling Stones thirty some-odd years after watching Watts on a television show. For any budding musician, this is certainly a book to read. For anyone appreciating music, this is certainly a book to read.
There's less emphasis on travel, more on Peart's opinions, but that's okay. Along the way, one can embrace the possiblity of broadening ones palatte. In fact, I've since explored a few of the artists Peart mentions if only for the sake of doing just that. I still can't get behind Nirvana or Linkin Park, but the doomed flavor of the day, Jeff Buckley, did yield some interesting things on his "Grace" CD.
And as a note to Rush fans, this book is also not a "Rush" book, though there is a teaser within the pages that Peart may next work on the history of the band.
Though it lacks the drama of "Ghost Rider," "Traveling Music" is nonetheless a compelling read, sure to force the reader into thinking of the music playing in the background of his or her life as well. As an autobiographer, Peart's work rates along other musician / writers such as the sly and witty Joe Jackson. Though his book may not hit the New York Times bestseller list, as Gene Simmons' "Kiss and Make-up" did, he at least has something to say, while Simmons merely wants to be heard. And as a travel writer, Peart has accomplished more in three volumes than Bill Bryson has done in a lifetime devoted to the endeavor. His writing is pure and unfiltered, unapologetic and honest.
I closed the book pleased and waiting for the next one.
29 of 32 people found the above review helpful.
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 Not Again......, October 17, 2005
By Steve (West Coast)
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Let me start off by saying that I am a HUGE Rush fan and have been for a very long time. I have seen the band over 12 times and hold Mr. Peart's (and the rest of the band's) musicianship in the highest regard.
With that said I have to add that I am deeply disappointed at this latest book. From the first page it quickly starts to read like a re-telling of half the information in Ghost Rider, at the end of which he states that the next effort will focus on his life as a drummer in Rush (which is why I bought Traveling Music).
Probably the biggest disappointment is the constant talking down to his fans, the very people who have allowed him to succeed as a musician by buying the records and concert tickets. I would assume he understands that it is mostly the Rush fan base that's going to buy his books (the market for self centered travelogues is not a big one) and as such, would it be too much to sound at least a little grateful instead of REPEATEDLY telling us all how much he hates fans who approach him in any way and the lengths he goes to to avoid them (including feeling safer by traveling with an armed sidekick)?
I guess it makes me a little sad since I find great meaning, inspiration and insight in his lyrics and pure awe from his drumming to know that at the end of the day, he could really care less what that meant to me (or anyone else).
I'll stick to the albums and an occasional tour from now on.
22 of 31 people found the above review helpful.
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Not Again......, October 17, 2005
By al_bonya (Bonnaville, AZ)
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Let me start off by saying that I am a HUGE Rush fan and have been for a very long time. I have seen the band over 12 times and hold Mr. Peart's (and the rest of the band's) musicianship in the highest regard.
With that said I have to add that I am deeply disappointed at this latest book. From the first page it quickly starts to read like a re-telling of half the information in Ghost Rider, at the end of which he states that the next effort will focus on his life as a drummer in Rush (which is why I bought Traveling Music).
Probably the biggest disappointment is the constant talking down to his fans, the very people who have allowed him to succeed as a musician by buying the records and concert tickets. I would assume he understands that it is mostly the Rush fan base that's going to buy his books (the market for self centered travelogues is not a big one) and as such, would it be too much to sound at least a little grateful instead of REPEATEDLY telling us all how much he hates fans who approach him in any way and the lengths he goes to to avoid them (including feeling safer by traveling with an armed sidekick)?
I guess it makes me a little sad since I find great meaning, inspiration and insight in his lyrics and pure awe from his drumming to know that at the end of the day, he could really care less what that meant to me (or anyone else).
I'll stick to the albums and an occasional tour from now on.
21 of 30 people found the above review helpful.
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Traveling Music mostly just static on the Spirit of Radio., April 13, 2006
By CygnusX1 (Madison, Wisconsin)
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Neil Peart travels from Santa Barbara, California to Big Bend National Park in Texas alone while driving his "dream car" a BMW Z8. Along the way he listens to music both on the stereo and in his mind. He gets lost, big time!
In an interview over a decade ago Peart was asked what music he liked and listened to. He refused to answer the question saying he was not so conceited to believe that his taste or opinion mattered in the scheme of things. After reading this rambling wreck of a book, he should have kept his tastes to himself.
While discussing his favorite, and not so favorite music, we take a trip along with him down memory lane. We go biking through Africa, motorcycling around the U.S., on commuter trains in Europe, and on his tour bus. Peart discusses his life while growing up, becoming a world famous drummer, the deaths of both his daughter and wife, and how he has now made a new life for himself.
For the most part there are many interesting insights into Peart's personal life. There are probably three books worth of material here, an autobiography, a self-help book on dealing with and overcoming grief, and a book about travel. Peart gets lost along the way mixing all this into a book about "traveling music", and going off in so many different directions you begin to wish the BMW had A GPS. Get back on track already.
When Peart does talk of the music in his life, he is either gushing like the crazy fans he fears and hates so much, or gets so negative and critical you just want to put the book down. In the end of the story Peart tells of how his editor advised him to cut some of the negative criticism, advice unheeded.
What you really have here is a short story, maybe an article for a magazine, instead Peart drags out the vacation movies and forces us to sit through hours of his long winded and mostly pointless banter that continually drifts on and off the subject until he has enough "material" to call it a book.
Stick to the lyrics Neil, at least when you miss with those, it's over in three minutes.
16 of 23 people found the above review helpful.
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Better than Peart's priors, still boring in parts, August 3, 2004
By Mark Daniels (Anywhere, USA)
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"Traveling Music" is the third book from Neil Peart, drummer and lyricist for the legendary Canadian rock band Rush. Like Peart's previous books, this one will be snatched-up and read only by Rush fans, and then overwhelmingly praised by the same whether the book deserves it or not - simply because of the author's name on the cover.
The boring and long-winded descriptions of plants and rock formations that made "Ghost Rider" such a tedious read (at least for this fan) are present in this volume as well, but fortunately they're not as prevalent. Peart also keeps the brief history lessons of passing towns to a minimum, something that might've made his earlier work breezier and more enjoyable.
The good news is that this is probably Peart's best so far. Amidst the history, geology, and botany lessons, the author offers his opinions on many musical artists - and these are some of the best moments in the book. (But it's a tad unfortunate that approximately one-third of the two dozen albums Peart critiques are by Frank Sinatra.) Given the marketing of "Traveling Music," I expected more of these "musical appreciation" moments and less of the tedious travelogue stuff, but this volume is a step in the right direction from Peart's prior work.
By far the best parts of the book are the biographical chapters, two and six. Chapter Two is largely a rehash of an old Peart-penned newspaper article, "Memories of a Port Boy," but here the author extrapolates on that earlier work with finer details - a pleasure for fans looking for more information about their beloved drummer. Chapter Six provides the story of Peart's years in London as a young man - an experience of his that fans were only superficially aware of before this writing. Now the detailed tale is finally told.
The round-trip voyage on which the narrative is based ends with eighty pages to go, along with the music reviews. Peart then tacks on the unrelated travelogue of an African cycling trip, details of Rush's appearance at the SARS benefit concert, and another brief travel story describing his efforts to complete the book we hold in our hands. These last 80 pages seem like an afterthought designed to pad the book to a longer length.
Altogether a much more entertaining read than the author's earlier books, thanks entirely to the biographical information and the music critiques. The travelogue stuff, like before, gets awfully boring after awhile. But if you love not just music (and Rush music in particular), but also travel, history, botany, and geology, you'll absolutely love this book. Without an interest in those things, you'll be as cranky in your review as I am - unless you believe Neil Peart can do no wrong.
14 of 19 people found the above review helpful.
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Mr. Peart's writings have helped me as I go through a hard time, September 22, 2005
By mcd (ca)
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I have always loved music, from the first time I listened to my Dad's records until now when I am a drummer in a rock/blues band. I know what it's like to have music as a constant companion in life, through good and bad times. I was pleased with "Traveling Music", and it was particularly good to read after "Ghost Rider", a book dealing with loss and grief. These two books go from the darkest despair to a rebirth of the joy of life.
Some people think Mr. Peart sounds arrogant, particularly in the reviews of "Ghost Rider". Be patient, look beyond your initial gut reactions, and you will see a man going through a terrible time in his life. During the "Ghost Rider" journey, he was focusing on himself and his own hurts, and it's understandable when he seems cynical and aloof. It feels like the whole world and everyone in it is pointless, suspect, and perhaps a bit malevolent. This all comes out in a sometimes unpleasant attitude. Give him a break. If the same things had happened in your own lives, how well would you deal with it?
In the end (thankfully for him), Mr. Peart comes back from wandering in the wilderness to take another shot at life. "Traveling Music" is a celebration of life, and it was a fun and emotional read. Bravo.
And congratulations and thanks go to Geddy Lee, Alex Lifeson, and Neil Peart for 30 years of inspiration and great musicianship. My gratitude to you for sharing your music with all of us.
9 of 11 people found the above review helpful.
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Musically Speaking..., June 15, 2005
By ProgChick (Sacramento, CA USA)
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Yes, I am a HUGE Rush fan and I love to read, but I think this is a book that anyone could enjoy on many levels. I am always interested in what influences a person's musical taste and impressed with people who can listen and APPRECIATE all different kinds of music. Coming from a musical family myself, I could totally relate to that and the fact that Neal had to beat on boxes driving everyone in the family crazy before his Dad would buy him a kit. So did my brother!
I enjoyed reading about his influences and was pleasantly surprised by some of the bands that he likes and listens to. I also loved reading about how it all began for him and his jobs and time spent in London. Everything we do make us who we are today and I sure am glad that Neal is who he is or we wouldn't have some of the most awesome music and lyrics ever written.
Oh and the accusation of arrogance? Get over it people. I don't think Neal hates the USA nor that he thinks he is better than most people. I think as we get older, we get a little less tolerable of the general public and the BS and maybe we even get a little jaded. Oh well...I don't take things like that personally, it's just someone's opinion.
To summarize, an enjoyable read!
9 of 11 people found the above review helpful.
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The rest of Mr. Peart's story!, October 20, 2005
By lentzj (Westland, MI USA)
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The Masked Rider was almost strictly about his trip to Africa.
Ghost Rider was about his riding trip all over North America to find himself again.
Traveling Music is everything else.
Neil takes a trip in his BMW Z8 convertible to Big Bend National Park after sending his new wife, Carrie, off to Mexico for surfing lessons, and tells the tale of that trip, plus reminises about the past, from places he had been to during past concert tours to his childhood.
Yes, this book includes another thing many of us have wanted: a biography. Basically three chapters of this book include Neil's biography from (as I call it) birth to Rush (from the day he was born to the day he flew to Pittsburgh with Ged and Alex for the first time). Also included is a story about their one-off show in Toronto during the SARS-stock (which also explains further why they usually don't do these types of shows), and includes some more brief stories about his many other bicycling adventures.
If you're that big a Rush fan, you should get this book (and the other two as well). He's a great writer and storyteller, and he sure as heck tells it like it is. GO NEIL!
8 of 10 people found the above review helpful.
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Okay, but not what I expected..., September 16, 2004
By -EA (APO, AP, USA)
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Instead of exploring musical styles and dissecting the concept of music as soundtrack for one's life, Peart uses this book to answer some of the fan questions that have annoyed him for years. It's his way of saying "Listen, I acknowledge and appreciate you, but I don't like talking to you and I don't want you invading my life. But I understand that I'm a rock idol, so here's where I came from; here are my influences. Now leave me alone!" His writing style here is definitely better than the choppy, angular prose used in "The Masked Rider." And it's definitely not the ponderous, beat-you-over-the-head style of "Ghost Rider" (excusable only because of what he was going through). The book loses focus with about 100 pages to go--he's done with the car trip that he's supposedly describing, but has to fill another 100 pages. The filler describing his adventures in Africa was interesting, but the dissertation on the Toronto Sars concert had no place in this book. All that being said, "Travelling Music" is a fast and interesting read. It's nice to see some candor and, dare I say, "humanity" from Professor Pratt. This is a book for Rush fans and should be seen only as that. Serious students of travel and/or music need not bother.
8 of 14 people found the above review helpful.
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 Poor writing, too many tangents, too many excerpts, February 10, 2005
By KingLerxst
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Got this from the library. Being a huge Rush fan, I planned on buying this if I liked it. I am certainly glad I got it from the library. Too many explanations of places, other authors' works.. just really, really, really boring, long-winded, and too many tangents. I love Rush, am a GIANT fan, but this book is horrendous, and had not Neil Peart been the writer, no one would have ever heard of this book, nor bothered to read it. The guy's a walking encyclopedia, apparently, and I respect that.. I just don't care to read about tectonic plates, utlity companies, World's Fairs, etc, etc, etc.. The excerpts from other writers' books is, to me, unforgiveable and just downright mundane. I expected this type of writing somewhat because of Ghost Rider.. but not this bad, not so early within the book. Neil himself once said, "Have something to say...." I would advise him of this advice before the next book. "Roadshow" is FAR better than this book, much more polished.
7 of 18 people found the above review helpful.
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An interesting individual, October 14, 2004
By BDH (Massachusetts USA)
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I've admired Neil Peart for years, not only because he's the amazing drummer of an excellent band, but because he's such an interesting individual as well. And not only is he the writer of a couple of bestsellers, but he's the group lyricist also, an unusual duty for a drummer. Neil's the type of person one might think lives an existence of perfection, bordering unadulterated fantasy, until one learns of the tragedy that had so rudely entered into his life a while back. Losing a spouse and a child within a year of each other is more than enough for anyone to have to experience. Life holds the intricate ability to shine brightly one day, but cast absolute darkness the next. It's good to see that Neil was eventually able to get his life back together, and new love into it as well. He's definitely a survivor.
`Traveling Music' speaks a little of that adjustment, where his earlier book, `Ghost Rider', had left off. But this story is more about his life between stage shows, and what he does to occupy himself after the music's over. Neil captivatingly describes his motorcycle jaunts across America, Africa as well. His keen judgment has taught him that roughing it can bring him to respect the good life, when he returns to it, even more. It's amazing that he opts to sit atop his bike instead of riding in the band bus or airplane, and sometimes takes it upon himself to travel to the next show.
Viewing the book before purchasing it, I immediately discovered how interesting it would be to read about an individual such as Neil, talking about the CDs in his stereo while driving around in his new sports car. I wish more professional musicians would do that, and provide us with their opinions on the music of others as they live their lives.
I only had a couple of problems with the book. At one point, when Neil spoke of a fellow traveler, and how unintelligent he perceived the man to be ... I had trouble with that. He belittled him because of his blatant opinion on homosexuality. Granted, the individual he described did come across as a tad slow witted, but I feel that people should be more tolerant of other people's beliefs and opinions, especially when religion is involved. We all have a right to our own beliefs, and everybody should respect that.
The other thing was the music Neil spoke of, and played in his car stereo. I enjoyed it when he talked of great talent that often went unnoticed, or unappreciated, such as Vertical Horizon and the Tragically Hip, especially the latter, as I'm a big fan of the Hip, and have been for years. He spoke of, and played many CDs of Frank Sinatra. In fact, he went on and on about Old Blue Eyes, and others as well, such as the boy band, 98°, Madonna, and the Beach Boys. He also wrote of performers I enjoy a lot, such as The Who, Linkin Park, Coldplay, and Jeff Buckley. I just couldn't help feeling, especially because he's such a talented musician from a progressive rock band, that he pays way too much attention to pop music. His taste came across as somewhat shallow to me. Though there's nothing wrong with the entertainers he spoke of, he didn't seem to be aware of the fact that there's so much real talent out there today, extraordinarily deep talent. Neil appears to be missing the boat on it all. Madonna? C'mon Neil, what about Sarah McLachlan, Norah Jones, Dianna Krall? Oh ... They're not Pop. Though all music can be considered traveling music, Neil's selection is more what one might hear on an AM radio, not the diverse CD player of an alleged tasteful, progressive rock musician.
I did find it quite interesting, though, to read about his admiration for the drumming of Keith Moon, Buddy Rich, and others. But what about the drumming of Matt Cameron, Matt Sorum, Steve Gadd, Dan Gottlieb, etc.?
But all things considered, the book was a fairly good read. It made me look forward to the next Rush concert all the more, and seeing an awesome band once again, whose members work together as a fine-tuned machine, even though the drummer doesn't appear to have much to do with the other members once the show is over.
6 of 8 people found the above review helpful.
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I will stick to the music..., August 20, 2006
By NowImAGolfer (New Mexico)
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If you are a Rush fan thinking about reading this book, you should really think first about why you want to read it. You may be disappointed to understand that your desire to know more about the character of Neil Peart comes with a heavy dose of criticism being thrown back at you for thinking that way.
As a lifelong fan of Rush and the lyrical talent of Neil Peart, I too took offense at this book. I will first say that I don't idolize anyone and I don't fantasize about meeting famous people. The problem many of us have with Rush and Neil Peart is that of a feedback loop. I have been affected by the positive messages of the songs since I was a teenager and now that I have incorporated much of the philosophy and influence into my life, I now feel that I at least "owe" him appreciation for that influence. The reality is that there is no way to show that appreciation. So, I understand the desire to remain anonymous and be the purveyor and not the recipient. With that said, I did enjoy the book in certain ways. There are some good pearls to take from the book and I needed to hear "You get up and go to work" at this stage of my life. I think the Africa chapter should have been left out, but if you have not read "The Masked Rider", you will at least get a sense of what that book is like.
I am not sure if I would read another Neil Peart book at this stage. I may be best served to remain with the lyrical influence and leave the man that wrote the songs of my life alone.
6 of 9 people found the above review helpful.
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- - - - - Same Story - Different Title aka - Go to the library 1st - - - -, April 29, 2006
By Mary O'Leary
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I have to agree with the previous posts. Peart's writing is rather (unnecessarily) discriminatory. The very people who ensure his career are the very people he despises. We know this already - we do not need to read about it in every chapter. As was said of Picasso, "he is like a comedian who, for the past 30 years, has been unable to think of any new jokes."
In the posts which list Peart's lyric writing as "emotive, deep and technical" the reviewers obviously have not yet discovered that Peart has very few original thoughts. Almost all of his ideas are "borrowed" or exist as outright [...] of other authors' works. (Apparently Peart has not read the chapter of Strunk & White which deals with rules of citation!) Please do not take our word for it - do your own investigations and discover for yourself! It will mean more to you.
There are tyro Rush fans who will blindly flock to buy anything they produce. Be it as simple as the drivel contained in this tome, or a self-indulgent "solo" project, the masses will support their experiments and defend them to the ends of the Rio. It was genuinely painful to read this book - almost as painful as watching the Rio DVD - both of which I was forced to skip ahead in to avoid the "Oh, good lord (sorry, Neil - "good GODS") you've GOT to be kidding me!" reflex.
Good thing for the rest of us Americans that as we obtain higher education, we are more likely to become Democrats, more likely to become liberal, and can see past the false smoke screens that are part of the "entertainment" which has become Rush. We know he hates America. We know he hates his fans. How many times do we need to be reminded of this?
Are you a long-time Rush fan? (25 + years?) Yes? Then you already know enough about the band. Do you need this book? No. Buy something much more interesting - buy the OED.
Rush was great...WAS.
6 of 41 people found the above review helpful.
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Disguised As a "Travel Book", August 3, 2007
By T.B.V.
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This book is by far the best book Neil Peart has written. This book is more biographical, in a very musical sense, than a travel book. What I mean by this is that Neil writes about his travels to the Big Bend area in South West Texas, several excursions he took while on that trip, such as a bird watching tour, and a hike up Emory Peak, etc. But the bulk of the content in this work is about his life and how certain songs, musicians, and bands have affected his life.
Neil details his early childhood, how his father's music was something he ignored as a child but embraced it as his own later in life. Moreover, he describes how he eventually took up drumming, his earliest bands in his own hometown, and how he progressed as a drummer from childhood to the last current tour, Vapor Trails, at the time this book was published. He describes certain details from various bands he "passed through" for a certain time, his experiences in London, England as a young adult, and how touring with Rush and playing a typical 76 or so show stopping tour affected him; all these details are great, and make the book that much more interesting.
However, the underlining greatness of this work, I think anyway, is Neil's descriptions of the music he is listening to throughout all these other details mentioned above. The way Neil describes how his "radar music" or his play list that is contained in the back of his mind resurfaces on occasion is the most interesting aspect of this work, since this is where Neil gets more personal opening himself up more than merely describing events. He details songs like they are personal parts of his life, exposing these parts with a serious vulnerability that is quite opposite to his personality, which is introverted and a bit hidden.
What happens when you read Neil's descriptions of bands and their songs, is that you will find yourself searching for these bands, if you have not listened to them before, and sampling them for possible purchases. At least I found myself doing this. He should get paid for promoting these bands, since several of them gained a new listener and buyer of their music. All this being said, this is an excellent book, especially if you are a music lover, it is well worth the price, and if you are a Rush fan, then this book is a must to take a peak inside the life, mind, musical taste and musical influences of one of the greatest drummers in rock and roll history, I highly recommend this book.
5 of 5 people found the above review helpful.
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Music is the Message, November 18, 2006
By Earl R. Major (Gales Ferry, CT, United States)
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Many of the reviews I've read regarding Neil Peart's "Traveling Music" treatise seem to focus on either a) his seeming arrogance at not wanting to have regular interactions with fans, or b) a seeming lack of eloquence in this work. I think those reviews are missing a vital element here.
To be sure, Mr. Peart is not Hemingway, Fitzgerald, Steinbeck or any of the countless other revered novelists in history. I'm also pretty sure that he doesn't want to be any of them. I also don't think that people should hold him in low regard because he is so shy. No, I think the focus here should be on the central message of his book: That, whatever the genre...rock, country, jazz, classical...music helps us to understand the textures and feelings that pervade us as we live and breathe in this world. No matter what your mood, there is a song out there to describe it. No matter how fond your memories, there is a song out there that can engage those memories as if they just happened.
Mr. Peart probably shares more than he needs to about his shyness with people. I will never be famous, but I know that many famous people are far more animated about having their space invaded. Note that he is also very uncomfortable lying about who he is when "outed" by someone. It's clearly a difficult thing for him, and I admire his honesty and courage in how he addresses it, so give him his space, and give him a break.
Focus on the notion that music is the message here. The wonderful diversity that it provides us, and the many emotions and themes it elicits, whenever we plug in and listen.
5 of 6 people found the above review helpful.
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Thanks, Neal, June 28, 2006
By Jeff Hodges (Denton, TX United States)
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You would probably have to be the exception to the rule to have read this book and not be a Rush fan of some magnitude or another. I am no exception. I am a long-time fan of Rush and a musician that was significantly and irrevocably influenced by their music, as well as a teenager influenced by their lyric philosophies. Because of this, I have always had an interest in Peart's prose work. Whether is was found in his program notes, his commentary in CDs, or in either of his previous books, I have sought out an insight into the musician who texturally contributed to the music that, for better or worse, informed my late youth. However, as much as I have found those previous works interesting, I was not compelled by any of them. In contrast, "Traveling Music" is Peart's most engaging, inviting, and well, interesting book so far.
The structure of the book is sure to bring a smile to the face of Neil's more musically-minded readers. The chapters carry designations that refer to lyric conventions. Sections of autobiography are "choruses", and Neal's special brand of phenomenological travelogue is designated as "verses". The "verses" describe a weekend trip to Big Bend Natural Park, and the ruminations that led to the creation of the book. "Choruses" give an overview of Peart's life; growing up in Canada, struggling in London, and eventually hooking up with Rush in the most fortuitous fashion. After a big skip through Africa, he closes the book describing Rush's performance at "SARS-stock" in Ontario.
Constructing his book in this way gives Peart a significant amount of freedom. Switching between settings, he uses his music as a textural connective tissue, tying his past and present together. While the subjects of this book seem disparate, they are woven together by musical experiences. This structure allows the insular Peart to vividly describe his "life and times" in comfortably binary terms: the phenomenologically non-musical "driver" lost in thought over the ever-emerging adolescent "rock star" that we all wished we were at one time or another.
Having traveled with Peart through both of his previous major works, I have been happy so see him significantly develop his "voice". One of the things that always disappointed me in his previous books was his reticence to talk directly to the reader. Even in "Ghost Rider," he spoke to the reader through his letters to a disembodied friend. Finally, "Traveling Music" sees Neil letting his guard down.
However, as with both of his previous works, Peart still does not end well. While the "SARS-Stock" story is a priceless look inside the head of this widely respected but impenetrably stoic performer, and I can see the point of marrying nostalgia with professionalism, it seems like a quick movement from parasitic infection to Charlie Watts looking over your shoulder (or maybe not - I wouldn't know!). On the other hand, it also gives the reader the sense of an unfinished work-in-progress that Peart will hopefully continue to develop.
The Lowdown: The primary focus of "Traveling Music" is the power of nostalgia and the way in which that power is tied to music. Peart is a complex and talented individual, and we are fortunate to get to know more about him both historically and intellectually through this work.
5 of 6 people found the above review helpful.
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Soundtrack to our lives, August 14, 2004
By B. A. Flynn (Saratoga Springs NY)
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This book is creatively laid out and is interwoven with past, present,and future experiences Neil Peart had, and might have...What Now??? As I read, laughter bursted out, as some of his childhood misfortunes played like a tape in my past...childhood can be so cruel!!! His explorations on four wheels were quite interesting and his attention to detail painted a clear picture in my head. (a quality I love in a book)
This book will show the "real man" inside this very popular and private drummer from the Canadian band Rush. Quite an intimate view really, and my guess is hardcore Rush fans will be glued to every page.
Traveling Music: The Soundtrack To My Life And Times can drag along at times, with more details or quotes than are needed to get a point across. But this is an enjoyable read and a book I couldn't put down...
5 of 8 people found the above review helpful.
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Soundtrack to our lives, August 14, 2004
By dog lover (Saratoga Springs NY)
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This book is creatively laid out and is interwoven with past, present,and future experiences Neil Peart had, and might have...What Now??? As I read, laughter bursted out, as some of his childhood misfortunes played like a tape in my past...childhood can be so cruel!!! His explorations on four wheels were quite interesting and his attention to detail painted a clear picture in my head. (a quality I love in a book)
This book will show the "real man" inside this very popular and private drummer from the Canadian band Rush. Quite an intimate view really, and my guess is hardcore Rush fans will be glued to every page.
Traveling Music: The Soundtrack To My Life And Times can drag along at times, with more details or quotes than are needed to get a point across. But this is an enjoyable read and a book I couldn't put down...
5 of 8 people found the above review helpful.
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Both interesting and tedious, February 20, 2005
By R.J. (Toronto, Canada)
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Travelling Music starts off strongly, as Peart drives east from Santa Monica east towards Texas, puts Buddy Rich into the CD player, and juxtaposes the music with his surroundings, and also travels into his past, his influences and experiences growing up. I found the first part of the book fascinating. Like other road-trip junkies, I enjoyed Peart's interest in details; the roadside places, the geology and the history of the areas he drives through, and his love of the back roads.
As someone who also grew up in the same era in southern Ontario, I can relate to Peart's upbringing and background, so his autobiographical bits were quite interesting. Being a non-conformist in a blue collar town in the 60's certainly shaped his outlook, although one of the downsides to this book is that Peart's interest in so many different topics creates a lack of focus.
Not being a Rush fan, being knowledgable about the band itself is mostly irrelevant to the general reader; Peart does go into some of the pitfalls of fame, especially the invasion of privacy. He writes a lot about his musical influences, and they're quite interesting (even if he never liked the Beatles, which he tends to go on and on about). He does project a bit of snobbishness, but that's just him, it's his book. You know after awhile that jazz, classical and Nashville country music don't do much for him either. So be it.
There is a very tedious chapter-long recap of the 60's, stuff that's been written about a million times, Monterey to Woodstock to Altamont (yawn...) His African cycling experiences are compelling at times, yet again he tends to go all over the place with his narrative.
Still it's a decent enough read despite the shortcomings.
4 of 4 people found the above review helpful.
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Interesting insights from a great musician, May 30, 2005
By Thelonious
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I have been a Rush fan for over 20 years, and have admired Neil Peart's passion for his craft and his musical excellence. Because of Rush's relatively private nature, Peart's in particular, I didn't really know that much about Peart's life, or how he became what he became. Travelling Music provides some insights into Neil Peart the man, as well as Neil Peart the musician and music listener. On a 2500 mile round trip in his favorite sports car, Peart provides a series of wide-ranging musings about his favorite CDs, the evolution of music, the American West, and the musicians that have inspired him. I must say that this was a pretty compelling read. The chapters about his childhood were interesting, and they provide insight into the person and musician that Peart would later become. His insights about the Beatles and Elvis are observant and intelligent, particularly his assertion that these artists are reactionary talents who were repackagers of original black music. This may seem an arrogant statement to some, but to people who have an understanding of where rock music comes from, it is truthful revelation that has been drowned out by baby-boomer nostalgia about the Beatles and the overpowering ridiculousness of the cult of Elvis. I also enjoyed his jabs at Rolling Stone magazine as the arbiters of hipness.
At first, I was surprised about Peart's fondness for Madonna, Linkin Park, Frank Sinatra, Issac Hayes, and James Brown, but I realized that there are many musicians that prefer music that is outside of the genre they work in. Peart is a towering figure in the progressive rock and metal genres. For him to listen exclusively to that music would be the equivalent of a great Shakesperian actor going to see Hamlet in his spare time. I don't agree with his assessment of Madonna, she seems more like a shallow purveyor of contrived perversity rather than a real artist, but that's probably just me.
Overall, I liked the book, though I thought that the chapters devoted to the bike trip through Africa were tacked on. I would have preferred more musical insights from Peart instead.
4 of 5 people found the above review helpful.
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A stream-of-consciousness traveling guide, March 23, 2005
By Morgan Fisher (Waterloo, Ontario Canada)
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Like some others who have reviewed Peart's work, I'll admit up front that I'm a fan of his music and lyrics. And, while I enjoyed Traveling Music, I must admit that if I were not a fan, the book probably would have not generated the same interest. Peart's style is somewhat free association / stream of consciousness, and though he's a master wordsmith, his style takes some getting used to. Like his other publicly-available works, he draws on letters and other correspondence to friends as a small glimmer into his personal life. At first, I dismissed the letters as filler, but the more I read, the more I understood the processes by which he develops his writing style. His oft-repeated disdain of fame, however, is growing tiresome. Neil, if you don't like fame, then return to obscurity and shaddap about it. Despite my reservations, I still enjoyed it immensely, and hope that this generates an even wider audience for his written work.
3 of 3 people found the above review helpful.
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A Drummer, A Sweet Ride, and a Pile of CDs, March 11, 2005
By Peter J. Spaulding (Trenton, NJ United States)
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Having recently finished off "Ghost Rider," I enjoyed greatly this latest introspection from a highly talented, rather complex man. I found it alternately amusing, touching, informative, and nostalgic. Also, those of you (myself included, to a degree) who were put off by his less-than-subtle tone of arrogance in "Ghost Rider" will find this dialed down a bit in "Traveling Music."
I charged Mr. Peart one star for the chapter about the African cycling tour. It was not entirely a drag to read, but if did feel rather tacked-on.
Overall, quite a nice read.
3 of 3 people found the above review helpful.
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Excellent book, but......, February 2, 2006
By K. Turner (Syracuse NY)
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The book is enjoyable, well written and a nice treat for Rush fans (let's face it, they'll be the majority of the book's buyers) like myself.
My main complaints are about our (not-so) humble author. For someone who detests being famous, he's sure turned into a major name-dropper. Also, it seems that if you ever cross paths with him in person, DON'T LET ON THAT YOU'RE A RUSH FAN !!! He'll either avoid you like the plague or try to dimiss you as quickly as possible. A nice little lesson for those into the whole hero worship thing. I totally agree that just because you buy someone's albums or concert tix, that you don't own them, but Neil sure comes across as quite condescending to those who gave him success in his chosen field.
Back to the book, there are some nice stories about Neil's career with Rush, which I enjoyed, having been a Rush fan for over a quarter century. He's just got to lay off of the whole "my new house in California and our Guatamelan(sp?) housekeeper" BS and stick to the traveling with some Rush anecdotes thrown in for good measure.
3 of 5 people found the above review helpful.
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Enjoyed every verse! AND the musical recommendations., September 21, 2004
By Dave Tremper (Spring Valley, New York)
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Neil Peart has once again come through with a very interesting read. Admittedly, a Rush fan since 1978 (and a fellow drummer since 12), I've grown to admire all of his writing since the days receiving those old Rush Backstage Club Newsletters.
I started with his first book "Masked Rider" followed up with "Ghost Rider," and passed them on to my parents and brother to read and enjoy. Now "Traveling Music" and Peart (pronounced "Peert," not "Pert," "Part," or "Pairt") has come up with a very intersting sort of... biography. I never would have guessed this would have happened but I was pleasantly surprised. I started "Traveling Music" on vacation, sitting on a beach in Milos, Greece and closed the book with a smile.
THANK YOU, THANK YOU, THANK YOU, Neil, for introducing me to Jeff Buckley's "Grace" which I bought today. I'm blown away by the music and saddened by such a great musical loss. Oh the potential! Much like Stevie Ray Vaughan, what a pity to lose such a great musician. If you can, catch the DVD of Buckley's 'Making Of' Grace... Very good.
I look forward to Neil Peart's next book.
Musical recommendation for Neil: Mike Errico. NYC based singer/guitarist... love his style. Not a corporate phoney like too many others out there.
Keep on drumming, riding, driving and writing, Neil Peart. In my opinion he hasn't let us down yet.
3 of 6 people found the above review helpful.
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he is neil, that is why we love him, March 3, 2006
By rush2112 (houston, tx)
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Yes he is arrogant, that is ok with me, he has every right to be. I enjoyed this book because I got to know him on a different level. It was interesting to learn about his parents and how they let him "express himself" and always encouraged him. It was neat to think of him as working a minimum wage job, getting screwed by a manager etc... I do have to say that I'm not to sure about his musical choices though. but to each his own.
I would recommend it to any true RUSH fan. Dont get offended by his honesty, I just appreciate him more for it.
3 of 8 people found the above review helpful.
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Loses Focus near the end, March 22, 2005
By prog reader (Boise, ID USA)
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I enjoyed this book, but I really wasn't too keen on how he abberates from the story of his Big Bend trip to discuss the SARs concert, Africa trips, etc. I thought he should have wrapped it up at the end of the Texas trip. I have always looked at Neil as the most enigmatic Rush member. I think a lot of Rush fans share my opinion. That being said, I was happy to dig into his past and hear about all of his stories, influences, and friends. I also identified with much of the more esoteric music he spoke of in his book (King Crimson, Mahavishnu Orchestra etc.) This was a decent book, all in all.
2 of 2 people found the above review helpful.
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The Spirit of the Radio, September 16, 2004
By SC from NY (Centerport, NY)
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In Peart's third book he combines a bit of autobiography and travelog with musings on music, both current and early influences. He has a diverse group of musical interests, the majority of which have little to do with percussion. The praise of both Madonna and 98 degrees (not my taste) were unexpected and compelling. I found myself pulling some of the CDs in my collection out that I have not listened to in some time such as Jeff Buckley's "Grace" and a few old Rush tracks.
My only criticism would be that the last section detailing part of his African bike trip felt tacked on. I enjoyed it on it's own merit, but in the context of the whole book it felt out of place. In the end he talks aboput the editing of the book and how he cut out the music that he rips apart. I have a feeling one might have been a trade for the other.
2 of 2 people found the above review helpful.
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Not a book just for Rush fans - A good read!, June 10, 2005
By David D (Illinois, USA)
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As with his previous offerings - Masked Rider and Ghost Rider - Neil Peart once again invites you to be his passenger on a thought provoking, educational, and ultimately joyous ride.
While this book has much more biographical and Rush-related content than the previous two, it is immediately accessible to anyone who's a dreamer, a music lover, a nature lover, and a wanderer. You may even discover some new music to enjoy along the way - I discovered the late great Jeff Buckley thanks to this book.
I may not agree with all of Neil's thoughts and opinions, but I sure like the way he expresses them!
2 of 3 people found the above review helpful.
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the highly interesting autobiography of Neil Peart, May 5, 2005
By me (tha baghdad basement)
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this is travel writing woven with autobiographical elements, as Peart remembers his childhood and teenage years. From growing up in rural St. Catherines, Ontario, to moving to Britian for a year or two and playing with various bands, to finally joining Rush, this is the story of Neil Peart's personal and professional life. The most enjoyable aspect is that he goes over music that he was obsessed with as a teenager and an adult, and his drumming influences and teachers direct and indirect, like Keith Moon and Hal Blaine and Buddy Rich. It is mostly about his trip in his Porsche down to Big Bend state park in Texas, and the music he listens to along the way. It is a highly enjoyable, another terrific addition to Neil's several travel/ autobiography books. fans of nonfiction will certainly enjoy all of his books, especially this one. It has a lot of memorable pieces inside.
2 of 3 people found the above review helpful.
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Neil Peart's message...."Carpe Diem!", January 21, 2005
By T. R. Dott (New York)
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I have been a long time fan of Rush (I owned "All The World's a Stage" and "2112" on 8-Track!) and have always had a slight fascination with Neil Peart as a musician. Granted, as a lyricist that aren't too many better in our generation, but to watch the guy pound out on a set for 3 hours a night the way he does is facinating. His energy and technical discipline is astounding. Now, getting a little older and not one to "race out" for the newest release of ANYONE these days, I was surprised to find out that Neil published a book (let alone 3 books). I was quick to buy the book, not only for the reasons mentioned, Neil has always mantained almost complete anonymity his entire career and I wanted to read what the man had to say.
I am not one to generally label the BEST this or the BEST that, but this book is the best book I've ever had the pleasure of reading thus far. Yes, there is a lot of music in the book--and the conversation offered by the author on the subject is all around pleasing. Interesting musical anecdotes and musical insight, always intelligent and fair. But the music is just the delivery system to a whirl-wind of the author's memories, passions and travel expeditions.
I particularly enjoyed reading about the smaller things that many take for granted. The performance of good, powerful driving machinery, great scotch, singing birds, side road bbq joints and the "regular Joe" you meet on the road who might have something both subtle and profound to offer. To hear Neil Peart talk about the Mariachi bands of Oaxaca has lead me to research this destination for a weekend getaway this March (I read his book in Akumal, Mexico on the Yal Ku Lagoon--a place that can inspire 1,000 books).
I think the part that I enjoyed the most when I finished the last page is reading a book written by a man with (without sounding to cliche) an enormous lust for life and knowledge. Better than that, a man who can write intelligently about these lusts with a good heart and little pretention. A friend traveling with me in Mexico was reading the new offering from Anthony Kiedis (Red Hot Chili Peppers). A book riddled with petty complaints, physical abuse and heroin addiction. After hearing me talk about Traveling Music (which I finished in 4 days) he tossed his book out and borrowed mine.
Now that's something...try finding an intelligent book written by a popular musician that not only doesn't bring you down, it gives cause to celebrate life and all of its beauty.
One critisism I've read more than a few times about Neil Peart is his uncomfotable relationship with being recognized by fans. In my business I find myself crossing paths with quite a few and I can sympathize with the man. He says saying "nice work" is an invasion of privacy. Well, just saying that isn't REALLY, but the always obvious before and after gauking and inevitable forced handshakes are.
Good for you Neil. Honest from front to finish.
2 of 3 people found the above review helpful.
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Not For The Book, But US - - THE FANS. Please understand. . ., February 7, 2006
By -Lone Wolf (LEO1WOLF@MSN.COM) (AURORA, COLORADO United States)
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Quickly, my first Rush concert was the '84 Signals tour, then caught them the next go around for Grace Under Pressure. I think that as a trio, they might just have the best well-rounded musicians out there. Needless to say, I'm a big fan of Neil Peart & I've seen some of the greatest drummers on the planet. So let's address the arrogance one might get from being a "star", rock or otherwise, because money & becoming a "big" celebrity changes you. . .
Something we need to understand that yes, we have ALL helped with their stardom & little more than a few Kudos does tend to sting us a bit. We ALL at one point in our lives or another want to be validated. So enjoy their shows & music, go home & enjoy the memories, but get over the pain. Because, on the flip side they DO deserve some privacy. I wouldn't want someone trying to get up into my business 24/7/365 either - that folks, is called being HUMAN.
I'm 36 now & have realized many provocative thoughts that Neil spurred with his Lyrics, alone, not to mention seeing his drumming in person. I can actually say thanks to Mr. Peart, that his writings have assisted mine in their maturity as well.
Don't be so hurt, I as the Lone Wolf - - don't intend to offend either, but it really sucks to hear people being so petty - - He did give us a window(s) into his personal life & we should just take it as that, no matter how small. He didn't have to at all. They (Celeb's) probably wouldn't be this way, if we, the TIX buyers didn't try & take so much more from them.
2 of 4 people found the above review helpful.
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Huge Rush (Peart) fan, mixed feelings, May 23, 2005
By Michael (Mountain View, CA)
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Lifelong Rush fan, have read everything Neil has written.
A few of the reviewers above nailed my reactions of the book perfectly: not tightly woven or organized, "stream of consciousness" writing style. Peart is more open, uninhibited in this book than Ghost Rider.
I found the parts I enjoyed the most were the private insights inside the world of music: meeting other musicians/drummers: Vertical Horizon, Grateful Dead, and Keith Moon. The descriptions of the preparation and planning which coincide with a tour, was fascinating.
After several chapters recounting his past in London, and the music that inspired him, the book spun into several directions that prompted me to flip back to the cover to double-check subtitle, "Soundtrack to my life and times" - I was caught having anticipated an autobiographical story written through music of his youth.
For example, I think back [many of us do]: Pink Floyd's The Wall, hearing "we don't need no education" in 6th grade coincidentally when a report card with D's came home! Thinking how the hell did they know? Sticking my tongue out like Gene Simmons everywhere supermarket, church, family photos. And obviously the thrill of hearing Red Barchetta speeding in a sports car at 16.
This book seemed to abandon it's musical focus as he accessed stories from travels biking through Africa, parts of the southwest. I felt pangs of guilt skipping the pages my hero had written.
I hope he continues to write and will read whatever he publishes. He is mechanical so forceful in his personality, the delicate texture the draft of writing demands is a difficult process to master; which I am sure he will be able to do.
2 of 4 people found the above review helpful.
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Music well travelled, September 29, 2004
By TBow (Ireland)
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I loved this book. I travel a lot for work and I admit that work was very neglected for the 2 days I spent reading this. That work, prevented me from seeing the Rush 30th Anniversary tour, so this sort of made up for it.
Being a drummer and a Rush fan, although 13 years younger than the author, most of the music mentioned was just outside my radar, but after listing all the albums described in the book, I now own more than half of them and what an excellent extension to my music collection. I had heard of most of them and only owned one, but what Jeff Buckley, The Who and Frank sinatra are now big favourites.
The book itself was similar to both his other, and yet different. I liked the autobiographical parts, as a fan, and I think it probably helped to have read the other two as there were a few references back to those books, although this one stands alone very well.
I am looking forward to his next published work, whatever and whenever that will be ("what now?")
Buy it.
2 of 5 people found the above review helpful.
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Top 500 Drummer of All-Time, October 17, 2006
By Navy Bean (Amsterdam/Dayton, OH)
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Not the God, but a god ... lowercase g. I would have to say he is the god of drumming. He's easily in my top 500 list of all-time drummer. He's somewhere between the drummer from Dexy's Midnight Runners whose name I cannot recall and the original Chris on The Partridge Family ... a/k/a "The Ugly Chris."
If you like your books written by someone who has a hard time writing coherently, then you are going to LOVE this book. I have a theory that Mr. Peart typed this book by using his drumsticks on the typewriter. Which goes to show that he's not as coordinated as he would have us believe. Be careful, Mr. Peart or you're going to find yourself off of my top 500 drummers list and on my Bottom 500 Typists List! LOL.
Just kidding Neal, Rush is as vibrant and vital today as it as ever been and just because young people don;t listen to it and it's not on the radio anymore does not mean that the music isn't still not great.
2 of 19 people found the above review helpful.
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The best autobiographical book I've ever read, January 27, 2010
By WeirdX Films
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I'm not, nor have I ever been a Rush fan. I like Tom Sawyer and totally love The Camera's Eye, as well as some other songs by Rush, but I would never call myself a big Rush fan, not even a frequent listener. But I've always felt Peart was one of the most talented drummers alive now, and as a fan of autobiographies/biographies of musicians that I couldn't help but be interested.
Now, I haven't read any other of Peart's books, so I cannot compare them but I can say that if "Ghost Rider" really is better than "Traveling Music" than It will have to be fantastic.
Traveling Music is so wonderfully written that its like Peart himself is telling the the story to your face. Its nonlinear style of story telling was beautifully prepared, and the writing itself was so smooth flowing that putting it down was one the hardest things I've had to do in a long time.
I can't recommend this book enough.
1 of 1 people found the above review helpful.
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Another good read from Neil, November 1, 2007
By David Carlin (Philadelphia, PA USA)
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This is the third book I have finished from Neil. The other books read up to this point have included Ghost Rider and Road Show. I couldn't comment on Ghost Rider because I felt the book was so very personal and considered therapy for Neil's experiences. I enjoyed Road Show. It was fun hearing about Neil's experiences on the road fetching National Park Stamps along the way.
In Traveling Music, there is a bit more of Neil's thoughts on just about everything. My first assumption prior to reading this book was, okay, he is getting in a car, listening to various music on the road with comments. It is this, but Neil's broad view of the music business and his experiences as a real music listener, world traveller, book reader and appreciator of the arts lends itself to everything he comments on. He is the type of person I feel whom anyone could strike up a meaningful conversation about any subject. That is the feel of the book. When he hits on a piece of music he likes, you get some very insightful and sometimes researched infomation on it. I learned more about Sinatra from Neil's appreciation than I had from my own experience for example. Also, there is no confusion that Neil is a proud introvert and I feel he enjoys his time alone to think and experience things and get back in touch with himself. I can relate to this and it makes me more inquisitive to read his views and comments. He also has a very good book list on his website and I've taken on a few of his recommendations and enjoyed them.
The only negative is the African Bike Ride area of the book towards the end. I kind of drifted in and out of that chapter because I felt I couldn't relate to that, and also because it seemed to move away from the initial car ride - music listening / comments area. But overall a very good read and I recommend it and look forward to another book from Neil.
- David Carlin
david.j.carlin@verizon.net
1 of 1 people found the above review helpful.
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Indispensible for the Rush Fan or Musician, August 13, 2007
By Ron2112 (Virginia, USA)
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After having read all of Neil Peart's drumming and travel-related books, I have to say that this is my favorite. The book is divided into two main (but interspersed) sections. One deals with a particular car trip Peart took in 2002-03 and his thoughts on the music he chose to provide the soundtrack to this journey. It quickly became clear that Neil's tastes are a lot more diverse than my own (his include Madonna, Sinatra, and Linkin Park), and I had a tough time relating to this portion of the book -- although Peart's reflections on the industry were quite engaging.
The other half of the book details the influence of music on Peart's life from childhood, right up through shortly after he joined Rush. It is almost a partial autobiography, and if you are interested in a previously-undetailed account of the drummer's early career, you will find this portion of the book priceless.
If you are a Rush fan who found himself partly put off by the tone of some of Peart's other books (specifically "Roadshow"), I would still recommend giving this book a try. This is one of the industry's best sticking to two subjects he knows better than most -- music and drumming.
1 of 1 people found the above review helpful.
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The Professor Turns Another Page... and he rocks!, September 10, 2004
By My Pen is Huge (Mentor, Ohio USA)
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When I saw Rush in Cleveland in June, 2004, I wasn't convinced that I'd ever see them tour again. Neil really looked bored up there. I also never saw him get in and out of his kit. The man moves QUICK. I made crazy predictions to my friends that someday Geddy and Alex would tour as old men and play acoustic sets in small venues without Neil. Neil would be on his own tour, but by bike or roadster under the warm sun. Far away from the drums.
Neil's new book changed my mind about all that. I see no end in sight for these guys. They still enjoy what they do, they have only slowed down a tad but still want to be on the go. Neil's stories are more reflective of his early years than anything written for the Ghost Rider book. Some stories that are commonly known Rock and Roll legends are rehashed. The Rolling Stones concert where the Hells Angels stabbed someone in the audience. Elvis on Ed Sullivan. The Stones changing the lyrics to Let's Spend SOME TIME Together. Neil's opinion counts for something but sometimes it seemed like I had borrowed a history book from the library.
Overall, I enjoyed this a lot more than I thought I would. Ghost Rider really took me down a dark path and just when things seemed really up in the air, the next chapter finds Neil remarried and starting a new life. As Neil enters his fifties, this book is about rediscovering old favorite songs.
I enjoy Neil's stories about fans the best. When he IS recognized by a fan in public, the results range from the scary to the hilarious.
1 of 1 people found the above review helpful.
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Best of the three, August 10, 2008
By Michael Moritz (Millersville, MD USA)
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Traveling Music was an enjoyable read. I have read Neil's first three books and this is the best thus far. The book's premise: Peart is traveling in his BMW Z8 (a very hot car) from California to Texas. Through his journey we are taken back to his past while he listens to his favorite music. I appreciated what he liked - especially how much he likes Sinatra. As a fellow motorcycle traveler - I enjoy `the road' stories.
And now, the other side of the book: I did find it odd how many of the great icons in the music business - at some point or another start to despise their fans: the very people who spend the money on the albums and tours. The people who make these guys rich and famous. I know some of the radical ones can be annoying, I get that. It just that many of us that are reading this - don't have that experience. I was also a little shocked on his views on America. I don't understand why the African chapter was in this book - this should have been in the first book - Masked Rider.
I hope Peart continues to write - and I hope that he would take some time to have a more direct approach on his life and his song writing in a book that is less about traveling.
1 of 2 people found the above review helpful.
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Amazing in every aspect, May 7, 2005
By D. Schoen (Houston)
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After reading this book, I feel like Neil Peart is a personal friend now that I've known for years. I think the book was well written and if you're as big of a Peart fan as I am, you'll definitely feel the same way.
1 of 2 people found the above review helpful.
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An autobiography and musical journey, April 10, 2005
By Midwest Book Review (Oregon, WI USA)
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Neil Peart's name may sound familiar to musicians: he's the rock group Rush's lyricist and drummer, and Traveling Music: The Soundtrack To My Life And Times blends an autobiography and musical journey with a survey of Peart's his travels in his MBW Z-8 from Los Angeles to Texas. The idea was to find newfound inspiration in a solitary journey: Traveling Music provides both musical notes and travelogue, charting inspirational sources as much as destinations in the process.
1 of 2 people found the above review helpful.
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Worth My Time, February 17, 2005
By Josh Marble
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I really enjoyed this book because...well, I'm interested in Neil Peart. I really enjoyed learning more about a musician who's music I love to listen to. I had always admired (not in any psycho freak you out way Neil)the guy for his drumming but now what a joy to find out that he is also an intersting person. I hope to see more books (and music) in the future.
1 of 2 people found the above review helpful.
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An insightful look at a man, and music, November 19, 2004
By Steven J. Sledziona (Syracuse, NY USA)
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When I first purchased the book, I wasn't sure of what I would think, a story around the music from a trip, yet upon finishing it, I have to give it five stars. Mr. Peart has woven a book together through insights, and skill, tossing that aspect which has always followed him in his art, detailed, but not dry, clean, yet not 'polished'. Through the book, and his writing style, he has shown how human he really is, and the struggles associated with that.
The mixing of the two story lines, of the music on his week excursion to Big Bend National Park, and the autobiographical look back at a life, and how that life was molded by the times, and as you could guess, by the music of those times. The structure I found very interesting (and throughly enjoyed), put together much like a song would be, between the verses (the current trip) and the choruses (the "look back").
Being only his third published delve into the world of prose writing, I commend him for his skill, and look forward to his next endeavors (both musically, and in literature). The books only strong caveat that I see is the strong interspersing of opinion, his take on the world, and some of his values. If you find his lyrics 'annoying', or to opinionated, it simple, don't buy the book! but if you are willing to keep an open mind for opinions you do not share, and want a good read, and a view from a shy, and to a degree, self conscious 'minor celebrity', I think this is a book you may enjoy!
1 of 2 people found the above review helpful.
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Travel through his life and times..., March 2, 2011
By Gene Adams (Nebraska, USA)
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An enjoyable ride with Neil Peart. His book takes you through experiences growing up in Canada, living in London, touches on loss, and the ideas that drive him, (Every morning you get up and you go to work) to name a few. All these stories are interwoven with the music he listens to going down the road and "inner music" he listens too. A departure from his Ghost Rider writings, more sutle, more nuanced. Is it the great American... sorry Mr. Peart, I meant the great Canadian novel? Perhaps not, but well worth the time. Reading it was like driving a curvy scenic road; not sure what you are going to see around the next turn, but it is an enjoyable drive.
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another fantastic peart novel, July 16, 2010
By review guy (chicago, il)
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This is yet another really good read from Neil Peart. Don't look at this from the standpoint of the man and what he does with Rush, but read it and ask yourself if you don't find his writing style comfortable, interesting and easy to wrap yourself into....
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Pure Poetry, May 16, 2010
By Andy Crystal (ITALY)
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In this book you'll find out about Neil Peart the man... not just the drummer. A man who speaks to you as if you were his travels companion. A close look to his life after the tragedy. A must read.
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Another Journey, October 22, 2009
By R. Hernandez
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I have read all of Neil's books by now and I really enjoyed this one. To me, it would almost pick up where Ghost Rider left off. We find out a little bit more about Neil as he shares his memories and how certain songs remind him of those times. I realize that some people may find him as condescending but I think they are missing the point. At least he tries to explain things a little more, such as his apprehension about meeting fans and the like. After all, he is human. Overall I think this book, as well as the rest of them, are worth the read..
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Literary Chinese Food, May 11, 2009
By BJ Knapp
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To me, Neil Peart's books are like Chinese food. I'll eat the meal, then a few hours later I am pawing through the fridge because I am hungry again. I finished reading Traveling Music last night, and am now pawing through the Internet looking for more things he's written.
I thoroughly enjoyed this book, though I do not think that a non-fan would enjoy it as much. Peart is a fascinating individual who has spent most of his life as a very successful drummer. After all that time of focusing on the drums, he's branching out into other methods of expression. This book was a lot more autobiographical than the other one I've read, "Ghost Rider." I enjoyed his anecdotes and the trip he took me on with this book. He's obviously well read, and passionate about reading everything he can get his hands on--and I appreciate that he took the time to share what he's learned in this book.
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Great Book, October 3, 2008
By John Poster (Goose Creek, SC USA)
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Excellent reading. The concept of this book is solid, what music someone listened to at what times in their life (I should have thought of that!). This by a world class musician and writer, so its quite interesting learning what the author listened to, and when. I have been a Rush fan since I first heard them when I was 12 or 13 back in 1980, and as such have a lot of respect for Neil as well. Anyhow, I enjoyed the book, as well as his other books too.
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Peart's Autobiography, July 30, 2008
By Brandon Ritter (Kansas City, Missouri)
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I was a little trepidacious about picking this book up. I had just read 'Roadshow' and found it slightly disappointing at least when compared to 'Ghost Rider.' The synopsis on the book about Peart taking a drive and talking about his favorite bands didn't really appeal to me all that much despite being a long-time Rush and Neil Peart fan.
I'm glad I decided to pick up the book after all. Far from being just a discussion of his favorite music, Peart weaves the music into details from his life creating the most autobiographical of all his books. I've always found it ironic that Neil is often considered the most secretive and private member of Rush, yet he has revealed far more about his life than any other member of the band through his writings.
This is by far the most well-written book Peart has produced so far. Next to 'Ghost Rider' which is essential for understanding key tragic events in Neil's life, 'Travelling Music' is a must-read for fans of Rush and even fans of popular music in general.
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Can't wait for the next book, January 24, 2005
By P. Mackinnon
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As I was reading this book, some parts felt as though the dragged a bit, and others were sections I could not stop reading. (I loved the sections where Peart talked about his musical influences and now I really hope he writes a book just about Rush. We'll see.) After I read the book, however, I noticed how much I liked all of it. Peart writes so conversationally, no matter what he's talking about it's easy to read, even when he's talking about bird watching. Definately worth the read if you're a Rush fan, still worth the read even if you're not.
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Less Traveling Music, more a reflection.., August 22, 2010
By Jim (WA)
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Having read Ghost Rider and Roadshow, I decided to tackle Traveling Music. Overall I would have to say I enjoyed the book but, as has been noted in other reviews, Neil could use a better editor to help him tighten up the narrative. His research and descriptions are always well thought out and informative but there are times when he goes off on tangents which seem unrelated and at times I found myself wondering if he was ever going to come back to the original point he was trying to make. Neil shared much more of his life's story in this book than I expected, which was a pleasant surprise. It's quite inspiring that he always seems to be on the path towards studying and learning new things. I don't know what I expected in terms of his musical tastes. He certainly has diverse taste, there was a LOT of Frank Sinatra and Linkin Park (which seemed an odd combination) but for some reason reading about it did not resonate with me as much as I anticipated it to; I preferred the sharing of his travels much more than learning how he felt about Vertical Horizon or Dido.
Some people have criticized Neil for not engaging with fans, but I can see his point. Playing drums is his "job" albeit not a normal one but at some point there has to be some separation between being the rock star and being able to engage in a normal life. For any RUSH fans who feel a need to know more about the man behind the drums..read this book. You will come away with a better understanding of Neil as a person and hopefully see him as much more than "Neil Peart from RUSH"
0 of 1 people found the above review helpful.
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I've never thought I'd know so much about Frank Sinatra!, December 6, 2007
By Sandra Foster (Brookhaven, NY)
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Both the content and the cohesion of this memoir are clear, strong, and good. The overall architecture is better than Ghost Rider and Roadshow, actually coming full circle both literally and metaphorically.
He's a fun person, and it's a blast to get invited along to travel in his Beamer (I wonder if his wife and his Mom are as scandalized of the speeds he drives at as I am) with great music for a nice hike and some bird watching. I found myself thinking, "I love that group, too!", or, "Hum, I've never heard that song, I'll have to go online and have a listen!" I'm amused and delighted he stays in cheap roadside motels, and buys pre-packaged sandwiches and peanut butter cups from convenience stores, because I hope and expect him to be more comfortable in life because he's worked so hard for it and deserves it. However, he's just a regular guy from a regular background, and harbors no snobbishness about such things.
Neil relates happy and horrible life events in great detail from birth to the day he joins Rush on this drive. It's reaffirming to realize that a shy person from an average background can pen such moving prose after experiencing and observing his world. Few writers can observe a vermillion flycatcher on a plain moment in a plain bird watching trip and form it into a work of art with the tender, fleeting joy he and the others around him witnessed.
I now understand what it is to be a "burning spirit", a musician that plays with such "intensity and vulnerability", so that they take "music from sidewalk entertainment to compelling art." (Sounds like somebody we know!) Neil's provocative chapter I nicknamed "The Superconductor Essay" (after the Rush song on the same theme) gives me a lot to think about in music appreciation, for I--a non-musician--never listened to music the way he does. I used to think I did, because like Neil I like a lot of diverse things, but I've never thought about why I like them. His thoughts on the intention by a musician or any artist that really got me thinking about his point of view. To his credit, a non-musician can easily follow. He is open-minded, and challenges himself to listen to musical styles that don't appeal to him, for example a country singer in a roadside restaurant that "really sang that song, from the inside out."
Moreover, he doesn't name names in what he dislikes, so the tome doesn't come off as a bitchy-moany manifesto.
It's touching how uncorrupted he is in the corrupt world of the music business. He befriends and encourages other artists, including young up & coming ones. He has no blinders on to music: caring nothing of the artist's age, race, religion, or economic status. And boy howdy does he love music--he shares how he tunelessly yelps along with Frank Sinatra CDs, or the fun he had at recent The Tragically Hip concert.
As always in Peart's writings, great lessons in geology, history, vocabulary, and the music industry are included.
If you've assumed `rock stars' have it `easy'-- you're wrong. It's amazing that he's the sweet man he is despite for how he's suffered in his personal life. Neil shares the secret: perseverance, grit, and hard work. Great memoir, give it a read.
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Entertaining and insightful, January 18, 2005
By Maurizio Mazzi (Niantic, CT USA)
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With the trilogy now complete comprising Mr. Peart's literary works, I found this book the most entertaining and insightful. In particular, the chapters on growing up in Ontario, the various events of his childhood and time in London were interesting and at times quite humorous. Could we have not all imagined Neil as a tall, "geeky" looking kid who would read Tolkien novels while his buddies were playing hockey? I found myself completely enthralled as he picks apart his traveling CD collection. From Sinatra to Linkin Park, Neil's sense of appreciation of the various styles of music was wonderful. How many Rush fan's were more than a wee bit shocked to know that The Professor enjoys listening to 98 degrees?!? My only negative on this book were the later chapters on the African bike tour. They seemed a bit tedious and were essentially a continuation of "The Masked Rider". Overall, a well-written and enjoyable biography and musical voyage through the mind of one of music's greatest drummers.
0 of 1 people found the above review helpful.
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Traveling Music, October 18, 2011
By Kevin (Alberta, Canada)
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If you liked Neil Pearts' "Ghost Rider" you will likely like this one too. As Neil travels across the southern U.S.A. and listens to his collection of music he takes the reader on sidetrips to times and places in his life along with events on the road. From Canada, Europe, and U.S. we travel along through the minds eye of music and some personal life with Peart.
Great appeal here I'm sure for the fans of RUSH, the rock trio that Neil is the drummer for. For a rock band drummer I was taken with the depth of affection Peart has for the "big band sound" such as Glenn Miller. That was surprising as I had stereotyped as him listening to rock and rock and rock. Nice.
Everyone's a winner!
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